During the gallery show last month I took these with my phone camera at the biggest art space at Blue Star.
This massive installation is a wood framework covered in hundreds of individual prints, all cut to shape in complete 3D.
The effect is like looking through a fisheye lens at a city scene (South American I think?) and it's all very confusing and complicated.
I would have painted the exposed wood flat black to allow it to fade into the background better.
I pity the poor fool who had to assemble this monstrosity--I recall the footprint as being in the 12x6 feet range and 7 feet tall, more or less.
Hundreds of pieces of wood and even more photos--how do you keep track of it all?
How do you keep from making mistakes?
How do you move it to a potential buyer's home without fucking it all up?
I like the idea of photos used to make wood or cardboard forms look "real"--it's been used in model railroading to great effect.
But simulating a fisheye photo with all the distortion and off-kilter angles?
What a pain in the ass.
Artists are crazy--don't think they aren't.
Thursday, October 11, 2007
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